Architectural Design As Costume
If you’re in need of Halloween costume inspiration, look no further.
The extraordinary image above is one of few remaining from the Beaux-Arts Ball of 1931, for which several dozen architects from the Society of Beaux-Arts Architects (now the Van Alen Institute) dressed up as their own architectural design. Shown here, from left to right, are A. Stewart Walker as the Fuller Building; Leonard Schultze as the Waldorf-Astoria; Ely Jacques Kahn as the Squibb Building; William Van Alen as the Chrysler Building; Ralph Walker as the Wall Street Building; and Joseph Freedlander as the Museum of the City of New York.
A 2006 New York Times article recounts the quirky history of the Society’s spectacular annual costume balls. Despite the onset of the Great Depression, the 1931 gathering was dubbed “Fête Moderne – a Fantasie in Flame and Silver,” optimistically looking toward a new age of architecture – and boy, did people have fun running with that theme:
An orchestra directed by the architect Kenneth Murchison consisted of pneumatic riveting machines, live steam pipes, ocean liner whistles and sledgehammers. A puppet show designed by the puppeteer and children’s book illustrator Tony Sarg presented robots on strings with bodies of metal coils. Ballet dancers rendered a modernistic impression of the blues… The Times said that the committee had promised that any guest in a conventional sailor, cowboy, chef or police officer’s costume would be barred, but that “a traffic cop from Mars” would be welcomed.
Those guys knew how to throw a party. Now, if you were going to a similar event today, what contemporary building would you want to see made into a costume?
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