Yours truly (center) with architects Mitch Hirsch (L) and César Pelli (R) of Pelli Clarke Pelli, deep in a public art planning process.
Shortly after finishing my last post about the differences between gallery work and public art, I stumbled upon this scathing critique of the state of contemporary public art, with a particular focus on work created through “1% for Art” programs across the United States.
A public art installation I created for Michigan State University, 2016 (Photo: Derrick Turner)
Lately I’ve been thinking about the many complexities of public art; how the creation of public art differs from private studio practice; and how many people don’t realize there’s any distinction between gallery work versus public art. Isn’t art just art, whether it’s exhibited in a gallery or the lobby of City Hall?
Please vote for my Temple Adath Israel installation for the 4th Annual CODAawards! (photo: Tom Crane)
It’s that time of year! The 4th Annual CODAawards will celebrate design projects that demonstrate the most successful integration of commissioned art into an interior, architectural, or public space – and once again, I’m honored to have a project in the “Top 100,” which means it’s eligible for one of two People’s Choice Awards, among other honors.
Public art glass installation for MSU’s Bio Engineering Facility, 2016
I’m pleased to share a new public art glass installation that I created for Michigan State University’s remarkable new Bio Engineering Facility.
Chromosome Painting by Geraldine Ondrizek, 2012 (Image via Reed)
So speaking a little while ago of DNA inspired art, I recently learned about Geraldline Ondrizek’s Chromosome Painting and couldn’t resist sharing.
Rendering for installation at Spaulding Rehabilitation Hospital, Boston
One of the most exciting and challenging moments in any architectural glass design process is creating a conceptual rendering for the client.
David Schnuckel’s Liabost Fàire (present tense), 2015 (Photo by Elizabeth Lamark, via David Schunckel)
If you find yourself in Mamaroneck, New York over the next few weeks, be sure to swing by Bullseye to check out Mend, a compelling mix of art glass panels and sculpture by David Schnuckel and Jennifer Halvorson, on view through February 13.
DNA inspired art glass for ARIAD Pharmaceuticals, 2015
Happy New Year! I hope you’re enjoying a peaceful transition into 2016.
In the fall, I shared a DNA inspired art glass installation that I created for ARIAD Pharmaceuticals. That work has gotten me thinking about the numerous DNA inspired projects I’ve created in recent years.
The Corning Museum’s handmade glass tree (image via Smithsonian.com)
Have you ever encountered a holiday tree not just decorated with, but completely made out of handmade glass ornaments?
Lamberts mouth-blown glass installation for USC Alumni Center, 2015
I’m happy to share another recently completed project – a Lamberts mouth-blown glass installation for the University of South Carolina (USC)’s Alumni Center, the first permanent Alumni Center in the school’s 200 year history.
Elevator corridor art glass for ARIAD Pharmaceuticals, 2015
I’m pleased to share this recently completed elevator corridor art glass installation for ARIAD Pharmaceuticals in Cambridge, Massachusetts.
Interior of John’s Pizzeria (image via John’s Pizzeria)
Have you ever enjoyed pizza under an elegant 19th century stained glass ceiling? Well, as they say – in New York, you can do it all.