Sweet Colored Glass
I love this “experimental greenhouse” by William Lamson, created out of steel, colored glass, sugar, and plants. Sugar? Yes, indeed.
I love this “experimental greenhouse” by William Lamson, created out of steel, colored glass, sugar, and plants. Sugar? Yes, indeed.
Ever since my post on lobby art awhile back, I’ve been paying closer attention to the work that I encounter in lobbies and thinking about what makes them successful or not. Maybe I’m a little biased, but I’ve been noticing that I consistently feel most inspired in spaces with a well-designed reception feature wall.
Whenever I revisit certain architectural drawings that predate computers, I am awed by their beauty and the extent to which the artist’s hand is present.
I’m pleased to announce that this website now includes a brand new “Techniques” section! The pages therein offer some general overviews of sawtooth glass and painted/laminated glass, the two types of glass that I use most frequently in my work.
Healthcare facilities have become some of my favorite partners in recent years. I’m a strong believer in the benefits of good art on health, so it’s very edifying to create work for environments wholly dedicated to healing.
Can color tell time? Sure, according to Tokyo-based architect and designer, Emmanuelle Moureaux – but on its own terms.
Speaking of Bruno Taut recently, there are two significant works of contemporary architectural glass in London that bring the Glass Pavilion to mind every time I see them — City Hall and the Swiss Re Headquarters, both conceived by English architect Norman Foster (Foster + Partners).
I love this project by Manuel Maia Gomes for its use of colorful glass to create a lively interplay between historic architecture and contemporary art.
Recently stumbled over this great comic again and can’t resist sharing.
Following up on a previous post about bird-friendly design – did you know that one of the most high-profile solutions to the problem of birds flying into glass has been inspired directly by nature?
Thinking recently about why art museums matter got me thinking about works of art and architecture that evoke a sense of reverence. These ruminations (along with others around meaningful integrations of glass in architecture) brought to mind Bruno Taut’s Glass Pavilion from 1914, one of my all-time favorite feats of glass architecture.
Who knew glass could look so much like stone! I’m a big fan of the music library at Folkwang University of the Arts in Essen, Germany, where decorative glass panels create the illusion of marble.