For an installment of “Themes and Variations,” above is one of several conceptual renderings that I created for 650 Massachusetts Avenue, a development by Brookfield Properties in Washington D.C.
Yours truly (center) with architects Mitch Hirsch (L) and César Pelli (R) of Pelli Clarke Pelli, deep in a public art planning process.
Shortly after finishing my last post about the differences between gallery work and public art, I stumbled upon this scathing critique of the state of contemporary public art, with a particular focus on work created through “1% for Art” programs across the United States.
Lately I’ve been thinking about the many complexities of public art; how the creation of public art differs from private studio practice; and how many people don’t realize there’s any distinction between gallery work versus public art. Isn’t art just art, whether it’s exhibited in a gallery or the lobby of City Hall?
Please vote for my Temple Adath Israel installation for the 4th Annual CODAawards! (photo: Tom Crane)
It’s that time of year! The 4th Annual CODAawards will celebrate design projects that demonstrate the most successful integration of commissioned art into an interior, architectural, or public space – and once again, I’m honored to have a project in the “Top 100,” which means it’s eligible for one of two People’s Choice Awards, among other honors.
David Schnuckel’s Liabost Fàire (present tense), 2015 (Photo by Elizabeth Lamark, via David Schunckel)
If you find yourself in Mamaroneck, New York over the next few weeks, be sure to swing by Bullseye to check out Mend, a compelling mix of art glass panels and sculpture by David Schnuckel and Jennifer Halvorson, on view through February 13.
DNA inspired art glass for ARIAD Pharmaceuticals, 2015
Happy New Year! I hope you’re enjoying a peaceful transition into 2016.
In the fall, I shared a DNA inspiredart glass installation that I created for ARIAD Pharmaceuticals. That work has gotten me thinking about the numerous DNA inspired projects I’ve created in recent years.