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Paul Housberg / Blog (Page 6)

Dream House of Stacked Glass

House made of stacked glass and oak by Skene Catling de la Peña Architects

“Dairy House” by Skene Catling de la Peña Architects (image via Stylepark)

 

This past week, I happened upon a gem while perusing an architecture blog. An old dairy building in Somerset, England was transformed into the stunning five-bedroom house pictured here, using stacked glass blocks and oak planks.

When Art Takes On a Life of its Own

Lobby Feature Wall by Paul Housberg as the glass backdrop to a wedding photo

A couple in front of my lobby feature wall at The Peninsula Chicago (image via Pinterest)

 

Having created art glass installations for hotels across the country and in various public spaces, I frequently stumble across my own work as the glass backdrop to big moments in other people’s lives.

Kiln-Glass in Architecture at Bullseye Glass

Jun Kaneko’s kiln glass Temple Har Shalom

Jun Kaneko’s kiln-glass at Temple Har Shalom (photo: Alan Blakely, via Bullseye)

 

If you’re interested in kiln-glass in architecture and find yourself in New York’s Westchester County this week, don’t miss Art into Architecture at the Bullseye Glass Resource Center New York Gallery, closing on Saturday.

Elegant Byzantine Fresco Chapel Art Glass

Elegant Byzantine Fresco Chapel Art Glass (photo by Paul Warchol)

Interior of chapel (photo by Paul Warchol via bfc)

 

Some years back, I had the luck of visiting the Byzantine Fresco Chapel in Houston, Texas. At the time, it was the only place in the entire western hemisphere where one could view intact Byzantine frescoes of such size and significance. It was also one of the most elegant examples of a chapel art glass installation that I’ve experienced in this country.

Colorful Glass Facade Concept for Wyandanch Station

Colorful glass facade concept by Paul Housberg

Wyandanch Station, stairway, north elevation. (L) proposed design; (R) alternative design

 

Last winter, I was honored to have this colorful glass facade concept selected as one of four proposals for a public art project at Long Island Rail Road’s Wyandanch Station. While the work ultimately went unrealized, it was an interesting design challenge and I can imagine adapting it for another use in the future.