As many folks celebrate Thanksgiving this week, I had an impulse to revisit Norman Rockwell’s iconic painting, Freedom From Want—and to consider Rockwell’s use of color.
Lately I’ve been asking myself how far I can go simplifying color and still create a successful piece. Most of my work involves a limited palette, though the specific colors in that palette can vary from project to project. While glass is not paint, it’s interesting to explore from a painterly perspective how restricted a palette one can use in glass and still achieve an effective work of art.
From A Nomenclature of Colors for Naturalists : And Compendium of Useful Knowledge for Ornithologists by Robert Ridgway, 1886 (via Hyperallergic/Boston Public Library/Wikimedia)
If you’re looking for some fascinating inspiration (or distraction) today, check out this 2016 piece from Hyperallergic about what led to one of the first modern color systems.
Maybe it’s the bright colors, or the way those colors make light dance, or something more nuanced about the lines – but there’s something about fused glass stripes that really capture this time of year for me.
Much of my custom glass art work is inspired by the colors of nature. For example, the piece shown here draws from the bold colors of Rhode Island wetland habitats that are emerging right now, in spring.