Yours truly (center) with architects Mitch Hirsch (L) and César Pelli (R) of Pelli Clarke Pelli, deep in a public art planning process.
Shortly after finishing my last post about the differences between gallery work and public art, I stumbled upon this scathing critique of the state of contemporary public art, with a particular focus on work created through “1% for Art” programs across the United States.
Lately I’ve been thinking about the many complexities of public art; how the creation of public art differs from private studio practice; and how many people don’t realize there’s any distinction between gallery work versus public art. Isn’t art just art, whether it’s exhibited in a gallery or the lobby of City Hall?
I work with many different kinds of clients in many different kinds of settings. Over time, I’ve discovered that some of these clients find me while searching for something else.
Rendering of Beleschenko’s art glass for the new Royal Liverpool University Hospital (image via NHS)
What could colored glass panes, the Beatles, and healing have in common? If you’ve followed my blog for any length of time, you probably know my answer – which is, in short, everything!